Culling and editing the recorded microphones, cleaning the dialogue of any unwanted sounds, attenuating room reverb, noise, plosives, mouth clicks, EMF, fixing distorted recordings, filling in gaps, adding breaths and room tone as necessary. Dialogue mixing effects, phone, intercom effects, voice identity masking where necessary.

Editing in any provided ADR recordings, eq matching to production sound, ambience matching to fit existing recordings, Revoice Pro timing if necessary. Adding breaths and vocalizations where necessary.

Recording every footstep on a foley pit with appropriate shoes and surface, editing and timing; recording and editing appropriate cloth passes for all the movement in the film; recording and editing props.

Editing in spot sound effects where needed.

Natural ambience, spot sound effects, impacts, transitions, special effects.

Backgrounds, crowds recorded or edited in if necessary.

Mixing the produced material with provided music, conforming to a loudness spec and in your desired format.

5.1, 7.1 or Dolby Atmos formats, monitored on a 7.1.4 calibrated system. ADM, Atmos Master files, Interleaved .wav stems available for delivery. Pro Tools supersessions on request. Theatrical and streaming compliant mixes. Mixing and sound design for installations and immersive experiences.

Separated premixes for Dialogue, Sound Effects, Foley (cloth-step-prop split), Ambience, Sound Design Walla will be provided. In addition, a full edit AAF or Pro Tools super-session can be sent.

Along with provided hi-res picture, assembling a Dolby compliant SMPTE DCP package for standard 2D and 3D cinema presentation.

Consultations, spotting sessions and a dedicated point of contact are part of every service offered.